![]() The horror is muted in this version-but the rich musical highlights are a compensation. The global website for Andrew Lloyd Webber’s The Phantom of the Opera, widely considered one of the most beautiful and spectacular productions in history. Edward Ward's haunting score was also nominated and contributes greatly to the overall enjoyment of the film. A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opra House. Understandably, the film won Academy Awards for color cinematography and color art direction. Aside from that, this can still be enjoyed as a horror story set against the Paris Opera background. Connections: The Phantom Of The Opera The corrupt Lord Ambrose DArcy steals the lifes work of the poor composer Professor L. In the book he is against his romance with Christine and in book and movie he ends up dying when he goes below the opera house to try and find Raoul. ![]() The comic aspects of the story are a bit overdone and the only weakness of the film is giving Eddy and Edgar Barrier silly routines as they compete for the hand of Foster. Nelson Eddy has never been in better voice and Susanna Foster is certainly up to the demands of her singing role. It retains much of the bravado, spectacle, depth, and gorgeous, haunting. ![]() Why carp about the changes made for this version? It stands on its own as an entertaining melodrama studded with operatic sequences that give it added dimension. THE PHANTOM OF THE OPERA is the most sumptuous, most beautiful movie of the year. A sombre vampire mesmerises a young reporter with the story of his ghastly transformation from grieving aristocrat to immortal monster, beginning in 18th-century New Orleans with his. His performance is just one asset of this handsome technicolor adaptation of the famous story. New Phantom of the Opera Movie Heading to Contemporary New Orleans, John Legend Producing By Rachel Leishman Published 'Floating, falling, sweet intoxication.' The Phantom is heading. He's one of those rare actors who can make you feel sympathy when he plays the ill-treated violinist so that you understand why he turns into 'The Phantom'. Before writing a film article on Claude Rains for CLASSIC IMAGES (December 2000), I took another look at 'Phantom' to appraise his performance. In 1870, a disfigured recluse roams beneath a Parisian opera house and takes under his wing a young soprano, with whom a love.
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